This paper foregrounds the notion of dynamic protagonist in Festus Iyayi’s two novels. Idemudia and Iyere are seen as protagonists of dynamism whose volte-face as the plots unfold is orchestrated by their new experience, knowledge and maturity. Idemudia who starts off as an idealist with rose tinted spectacles fashioned from the mill of inexperience later becomes a life-beaten but introspective realist who has come to appreciate that life’s sacrifices come in different forms. Similarly, Osime Iyere who initially sees humanity in the federal troops and undiluted savagery on the Biafran side during the civil war later comes to see the two sides in the war as nothing but murderers and rapists of defenceless civilians. His contention, therefore, is that the war is actually a huge conspiracy of the blood-sucking bourgeoisie on both sides against the masses in general who can only be saved by a neutral third army with membership from both sides. In conclusion, the paper states that by artistically placing the two protagonists in the two novels where their experiences invest them with the correct education toward combating the oppressive alienating disorder in the society Iyayi’s thesis is clear: the masses must be correctly educated about the nature of the society in order to wage a meaningful war against its crushing lopsidedness.
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