This study shedding light on the nature of romanticism in English literature. This study shows the great impact of nature on English romantic poets. The movement of English romanticism has a great influence on English literature. So the study would like to show the role of the famous English romantic poets like SHELLY & KEATS, in adoring nature through poetry. It concluded that the English romantic poets who were influenced widely by nature have affected their literary product English poetry as well as adore nature and produce fantastic verses of poetry. It serves as a mirror which reflects all the humanistic activities in people social life. Their outlook on life, their ideas, emotions, and traditions. Poetry is one of the branches of English literature. It has been defined Wordsworth as the spontaneous overflow of powerful feelings or the expression of imagination. Elfar (2010) mentioned according to Robert Frost, poetry is a rhythmical composition of words expressing an attitude, designed to surprise and delight and to arouse an emotional response (Kennedy, 1978:5), poetry is a rhythmical composition of words expressing an attitude designed to surprise and delight, and to arouse an emotional response.
The Survival of Romanticism in Modern Arabic Poetry with a Special Reference to Farouk Shoosha (Published)
Due to contacts with the Western cultural milieu, new concepts and ideas were adopted by many European-educated Arabic poets who had been given a chance to read and translate English and French verse. The result was new generations who, influenced by the Western modernism, revolted against their accustomed literary traditions. Being influenced by the Western modernism implies an influence by its “Neo-romanticism”. It is ‘new romanticism’ because it represents a revival of the European romantic spirit which had informed the work of the Apollo Group in the 1930s. From Eliot, the Arabic poets took the theme of the ‘city’ (the ‘unreal city’) and from other modernists a variety of themes that this paper finds a continuation of the English Romantic movement. This paper tries to prove this in a number of poetic images in modern Arabic poetry with a special reference to poetry of Farouk Shoosha.