The Self/Otherness and Occident/Orient Dualisms: A Saidian Comparative Reading of George Lamming’s Water with Berries and Firoozeh Dumas’s Funny in Farsi (Published)
Withregard to the theory of thepostcolonialcritic; Edward Said in his book Orientalism , the study ahead aims at analyzing the novel Water with Berries (1972) by George Lamming and Firoozeh Dumas’s a Memoir, Funny in Farsi (2003). Indeed, Said in his book examines the key elements such as the dualities of self / otherness and Occident/ Orient; as well as the attitudes of the western in relation to the Eastern. Moreover, the immigrants’ new identities by which they are to escape from being considered as an “Other” can be observed in this investigation. The study based on analysis of the content and how it is described through the characters interactions. To fulfill that, the researcher highlights the relations and the similarities of the two works; in the lights of the given theory, in terms of the content. Therefore, by providing a precise definition of post-colonial theory and duality selected in this study, the study attempts to have a comparative analysis of the two works. Recurring themes such as: other, self, superior, inferior, savage, civilized, occidental and oriental, which are noticeable in the Dumas’s and Lamming’s works.In other words, considering Said’s theory of the Orientalism, the comparative study of the two mentioned works, it comes to the conclusion that both of them with collation of Said’s key facets of his theory in Orientalism.
Sympathy, Hospitality and Love in Nadine Gordimer’s The Pick Up (Review Completed - Accepted)
This paper sets out to discuss the extent to which the trinity of sympathy, hospitality and love are interwoven in Nadine Gordimer’s The Pick Up. To be sure, this postliberation novel is a stunning tribute to what Arthur Schopenhauer calls “loving-kindness” which encompasses respect for ‘otherness’ and rejection of intolerance in any shape or form. As a one-time antiapartheid activist driven by her unflinching belief in deep-dyed liberal values, Nadine Gordimer reminds us through the casting of her lead characters, to wit Julie and Abdu, that human action must always be tinged with a measure of compassion and acceptance of diversity, or else the ravages of egoism and absence of empathy will doom us. This powerful work of fiction, indeed, teaches us that it is only through the steady exercise of compassion that one can carry out one’s responsibility for the ‘other’