“Tickets, Please”: Female Aggressiveness and the Notion of “Consummation” In D. H. Lawrence’s Fiction (Published)
Tickets, Please” is considered as one of the most aggressive tales of D.H.Lawrence as here the writer delineates for the first time a team of women literally invested with the role of avengers: they conspire against a man, attack him and force him to commit himself to marry one of them. Initially it seems that the main theme of the story evolves around the cruel punishment of the man which is to meet these women as nature red in tooth and claw coming face to face with female aggressiveness which threatens him even with death. However, the present article aspires to show how this ostensible punishment might also reveal other aspects of the authorial intention related to the writer’s convictions and beliefs concerning the concept of the real connection between the two sexes, what Lawrence calls “consummation.” It also attempts to explore processes, like that of mythicization, which Lawrence applies when delineating his heroines.
Charlotte Brontë holds a unique place in presenting heroines who are assertive. As the author of vivid, intensely written novels, Charlotte Brontë broke the traditional nineteenth-century fictional stereotype of a woman as beautiful, submissive, dependent, and ignorant and delineated the portrait of a ‘new woman’ who is independent and who does not simply submit herself to the norms of the patriarchal setup. Charlotte Brontë’s first novel, Jane Eyre (1847) was immediately recognized for its originality and power. Since then, Brontë has been considered by critics as one of the foremost authors of the nineteenth century, an important precursor to feminist novelists, and the creator of intelligent, independent heroines who asserted their rights as women long before those rights were recognized by society. Through Jane Eyre, Charlotte Brontë aims to project the need to fight against the oppression in the patriarchy. Penniless, lonely and starving, Jane Eyre does not remain a victim of social injustice but emerges as a brave warrior to stand against the male domination and is determined to assert her individuality without submitting to the accepted traditional norms. Both Mr. Rochester and St. John want to master Jane and in both the cases, she insists on her independent will. She wants power and the freedom to be active as she wishes to experience the world in a positive and constructive fashion. She does marry Mr. Rochester, but on her own terms and not at the cost of her independence.
The specifics of this research include women’s relegated portrayal in Indian society. Showalter’s model of cultural feminism has been used to expose the subjugated Indian females. This perspective is taken as the foundation for the study which investigates that how the society in which female authors work and function shapes women’s goals, responses and point of view. This study means to investigate the role and contribution of patriarchy and patriarchal values towards the misery, suffering, loneliness and unhappiness of women. Further it emphasizes other psychological, social and economic problems experienced by them. In pursuance of the methodological design outlined above, the story has been scrutinized on feminine notion. This research refers to social and cultural milieu of Indian women and founds the bleak outlook of Indian women’s life.