Ahdāf Soueif Makes a Map for Love: A Reality or a Fantasy Through the Meeting of Civilizations and Times? A Dialectic Vision in the Novel The Map of Love by the Egyptian Novelist Ahdāf Soueif (Published)
It is impossible to talk about literature except through its genres. Besides, it is impossible to deal with any genre without starting with one of its types. When the writer decides to create a literary work, he produces it in the frame of a story, a novel or a poem within a general perception of literature, where all literary genres meet. The Arab novel has developed since the middle of the last century and it has achieved a presence that imposes itself on other genres and types, especially poetry, which kept occupying the central position in creativity. The historical novel, for example, was established in the Arab world by Jurjī Zaydān (1861-1914) at the beginning of the twentieth century, modelled on the Western historical novel and a lot of Arab novelists wrote in its form, stressing in one way or another that they were writing a historical novel. The historical novel is a type of novel in which history blends with imagination, and it intends to describe a certain period or a certain major event in a suitable narrative style that is based on history data, but without being tied or committed to it but often without adherence or commitment to them in most cases. When Ahdāf Sueif wrote The Map of Love, she introduced it in a dazzling way because it is based on the reader’s manner of reading history and the concept of history through an amazing love story that is full of beauty that makes the reader unite with the text.
Citation: Hanan Bishara (2022) Ahdāf Soueif Makes a Map for Love: A Reality or a Fantasy Through the Meeting of Civilizations and Times? A Dialectic Vision in the Novel The Map of Love by the Egyptian Novelist Ahdāf Soueif, European Journal of English Language and Literature Studies, Vol.10, No.4, pp.13-36
Representation Of The Colonizers’ Dominance Over Colonized Culture In Twilight In Delhi By Ali: A Postcolonial Analysis (Published)
This research paper aims to describe the postcolonial aspects in “Twilight in Delhi” (1984) and colonizers’ cultural and traditional dominance over the colonized (Indian Muslims). It is important to mention that Ali has personally been through that painful agony of the mentioned colonial age. So as the writers are mirrors of their social era Ali also has drawn a clear sketch of British rule in India especially from Muslim perspective. He appears to have a clear goal to bring to lime light Muslim lingual, cultural and social deprivation caused by the British assault earlier and rule later on. Ali’s novel “Twilight in Delhi” (1984) is the clear representation of the decline of Muslim culture in India which is like twilight near to be diminished. He highlights the decline of Muslim cultural values and their traditional sunset also.
FAILURE OF RELATIONSHIP BETWEEN COLONIZED AND COLONIZER: A POSTCOLONIAL ANALYSIS OF FORSTER’S A PASSAGE TO INDIA (Published)
This study aims at describing the difficulties that colonized have to face in developing the relationship through Forster’s A Passage to India under the shadow of postcolonial theory. The colonial occupation of India is very vital in the background of the novel. The novel is focusing on the relationship established between the people of the two lands the British colonies and the Indians in Chandra pore highlighting the differences of thinking in making relationship with other which is the case of the failure in making relationship with each other. The writer is trying to make friendly relationship between Indians and British but we see throughout the novel that how every character in the novel is facing difficulties in developing relationship with one another.