Waiting for Godot, is a play that prompts many questions, and answers none of them. As the title suggests, it is a play about waiting: two men waiting for a third, who never appears. ‘And if he comes?’ one of Beckett’s tramps asks the other near the end of the play. ‘We’ll be saved’, the other replies, although the nature of that salvation, along with so much else, remains undefined: for both characters and audience, Waiting for Godot enforces a wait for its own. The two central characters, Vladimir and Estragon, wait for someone named Godot, who, as a stand-in for God, never arrives. The title focuses the audience on the futility of human existence. The meaning of the name Godot is debated among scholars. Although Beckett wrote in French, it is possible that he wanted his audiences to consider the presence of the English word God in the name of the character who never shows up. (The similarity between the words Godot and God does not exist in the original French, in which God is Dieu.) It is possible, however, that Beckett named the character for a French bicyclist called Roger Godeau—or for a French slang word for boots.
Heavenly Hurt Emily Dickinson (Published)
This paper focused on the absurdist elements in the selected poems of Emily Dickinson. Spending her life in a politically and socially rigid family she also experienced an authoritarian patriarchy; and ironically these oppressive elements became inspirations to her for writing rebellious poetry while completely ignoring the set norms, regularities and unyielding poetic traditions. This paper reveals her rejections of existing religious order and social conditions while exposing their emptiness and austerity. This paper attempted to make a connection between absurdism and the poetry of Emily Dickinson to depict the disconnection among Man, God and Society as strongly propounded by Dickinson.