Theatre is one of the means by which different cultures both proclaim and question themselves.It is constantly connected with the broad forces of insurrection and rituals in different societies. Starting from the beginning of the previous century theatre has developed as a practice with which to rethink gender, violence, ethnicity, identity and arts. Racial thinking and modern stage interact to reset an understanding of race and turn individual experiences into art. Amiri Baraka’s Dutchman (1964) is the study of a culture of white supremacy that has historically marginalized all other races, presenting some possible consequences. In an attempt to combat the deep rooted problem of racial discrimination in the American society, Baraka tries to examine and analyze the psyche behind it.
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